In assignment four I made the statement
that the pair of Bauhaus Wassily chairs I found on
Trade Me were timeless. I stated that although these chairs were first
pioneered in the 1920’s they still have a sheik and fresh contemporary look and
would be favorably welcomed when furnishing a household in 2013. I argue that the
Bauhaus art form is still a prominent influence in contemporary design both in
physicality and rationalist intention.
Physically the Bauhaus art form is prominent in our current style as it is very industrial and involves a lot of metal and leather and is made to look simplistic. A recent rendition of the Wassily Chair, that I chose to search on Trade Me in project four, is this Zetel Chair; Designed by minimalists Fein Muller and Hannes Van Severen. Much like the Wassily Chair, this chair has a refined metal pipe-like structure and a thick leather material as the component that is sat on. These designers have used the basic outlines of the Bauhaus styled Wassily Chair but have heavily simplified the craft and expanded the design to make it seat two.
Physically the Bauhaus art form is prominent in our current style as it is very industrial and involves a lot of metal and leather and is made to look simplistic. A recent rendition of the Wassily Chair, that I chose to search on Trade Me in project four, is this Zetel Chair; Designed by minimalists Fein Muller and Hannes Van Severen. Much like the Wassily Chair, this chair has a refined metal pipe-like structure and a thick leather material as the component that is sat on. These designers have used the basic outlines of the Bauhaus styled Wassily Chair but have heavily simplified the craft and expanded the design to make it seat two.
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We don’t notice the Bauhaus influence in our everyday furniture but it is influential in many of the top designs of today and their values are important in our global endeavor to create sustainable and rational designs. The Bauhaus movement started after the Second World War, when Germany was low on resources and focused on creating rational products and designing for the mass production. This is how their slogan “Art into Industry.” (Gropius) came about. This relates to our contemporary issue of global warming and the new pressure to make eco-friendly and affordable furniture in mass amounts for and international buyers. Instead of lack of resources due to war, we as a planet are beginning to run out of natural resources and are striving to invent new environmental materials to work with.
Griffith Winton, Alexandra. "The Bauhaus, 1919–1933". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/bauh/hd_bauh.htm (August 2007)
Muller, Fien & Van Severen, Hannes. Duo Seat. Muller Van Severen. Retrieved May 29, 2013, from http://mullervanseveren.be/site/duo-seat-lamp/.


